Preparations for Research
A. Production of a Play (performance history):
The original production, a particular noteworthy production, or, significantly varying productions of the play; considering some basic elements in a production, including:
- –the Venue of the production
- –the Costumes
- –the Set design
- –the Lighting design
- –How each of them individually or all of them collectively work together to produce a certain interpretation, create a certain impressions, affect the show?
B. You focus on the play as literary works or as cultural artifacts?
Examine the contextual questions about the play:
- 1. The time period in which the play was written
- 2. The playwright's biography and other works
- 3. Contemporaneous works of theater (plays written or produced by other artists)
- 4. The language of the play, plot and conflict, character, nonverbal language
- 5. What particular theoretical or critical question that the play engages?
Sources:
Writing Center at UNC (handouts)
Barnet, Sylvan. A Short Guide to Writing About Literature. 11th ed. New York: Longman, 2009.



Path of Discovery in the Catalogs
1. Find a title/author (assigned readings/Course Reserves);
2. Note the descriptive language of the Catalog record.
3. Use that language in further searches
A More Subject Browse on Broad Topics:
African American Theater
African Americans Drama
black theater
A Subject Browse on a playwright in book Catalog:
Wilson, August (last name first in subject search)
Compare with a Keyword Search:
"Auguest Wilson"
A Keyword Search for contemporary playwright
Some playwrights are found in a chapter of a book (on broader/general topics) rather than in a monograph (books on a singular subject/author):
Theatre and Change in South Africa
“A truly living moment”: acting and the Statements plays / Brian Crow -- “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop '71 / Robert McLaren -- Whose popular theatre and performance? / Martin Orkin -- The performance aesthetics of township theatre: frames and codes / Christopher Balme -- Theatre for export: the commercialization of the Black people's struggle in South African export musicals / Jerry Mofokeng -- Theatre in exile / Anthony Ackerman -- My life in the theatre of war: the development of an alternative consciousness / Matthew Krouse -- What is a tribal dress? the “Imbongi” (Praise-singer) and the “People's poet.” Reactivization of a tradition in the liberation struggle / Peter Horn -- The workers' theatre in Natal / Ari Sitas -- “An interest in the making of things.” An interview with William Kentridge / Geoff V. Davis and Anne Fuchs -- Tooth and nail. Rethinking form for the South African theatre / Malcolm Purkey -- Physical images in the South African theatre / Mark Fleishman -- “I will remain an African.” An interview with Maishe Maponya / Geoff V. Davis and Anne Fuchs -- Politics and the theatre: current trends in South Africa / Zakes Mda -- Theatre: the political weapon in South Africa / Doreen Mazibuko -- “This compost heap of a country.” An interview with Barney Simon / Geoff V. Davis and Anne Fuchs -- So what's new? The story behind the play / Fatima Dike -- PACT: can the leopard change its spots? / Carol Steinberg -- The future of the performing arts councils in a new South Africa / Arnold Blumer -- “It's time to have a South African culture.” An interview with Ramolao Makhene / Geoff V. Davis and Anne Fuchs.
Perform an Advanced Keyword Search for a broader question: Blackness/colorism in African American Theater; limit the search to print materials. .
Note: